No free work, even in comics

If I could write anything and make a living at it, I'd choose comic books.

There's something about the form. It seems to match my style of writing well. Problem is, as difficult as it is to earn a living as a nonfiction freelance writer, it's even more of a challenge to do so as a comic book writer.

The reasons are many, but basically it boils down to this: A lot of writers want to be comic book writers. There aren't a whole lot of companies willing to pay writers to do this.

I've had some luck. An independent comics company last year published a four-issue comic book miniseries that I wrote. Another company hired me, and paid me $1,500, to write a comic-book adaptation of 20,000 Leagues Under the Sea. And this year, I've been working with an individual who's created a rock-and-roll comic. I've rewritten the first three books of his comic, the first of which he's already published. Two of my other short comic book scripts have made it into an anthology, and a third -- Halloween themed -- should be out this October in a different anthology.

So I've made a bit of progress. I'm nowhere near able to support myself on comic book writing, though.

Which leads me to the point of this post. There's a Web site out there called Digital Webbing, which is devoted to comic book writers, artists, inkers, editors and letterers. One of the members is creating an interesting anthology. The gimmick is that every story in the anthology must be a classic fairy tale set in the future.

Of course, writers were invited to submit their pitches. I toyed with the idea of coming up with an idea. It'd be nice exposure if I made it in the anthology. Unfortunately, there wasn't any guarantee of payment. The odds are good that the anthology will lose money. Most comics not published by Marvel, DC, Image, IDW or Darkhorse do. In fact, many comics published by those same big hitters lose money, too.

That means there'd be no profits to split among the creators. And these days, with me writing so many content stories, there seemed to be no time available for an endeavor that won't pay me money.

It's a shame. I am, of course, writing my own script for a graphic novel now. And there's no guarantee that it will ever make me any money. But that script is my own, not someone else's idea. These days, that's the only kind of free writing I can afford to do.

Sometimes it's fun: Writing about fortune cookies and halloween

I moan a lot on this blog about the challenges of trying to make a living as a freelance writer. I complain about low pay, unresponsive editors and publishers who always seem to make the worst possible decisions.

But then you take on an assignment that's actually fun. And everything seems worthwhile again.

That's happening now. I'm writing a series of short, short fact-based stories for a Chicago-area publisher. The stories will appear in a book of useless trivia. What could be more fun than useless trivia? I love useless trivia. In fact, I can tell you every baseball World Series winner since 1926, and every SuperBowl winner ever. And I can do it all in correct order.

To stick to the topic, though ... I'm writing about the history of fortune cookies and digging up interesting trivia about Halloween. The fortune cookie bit's pretty fun. Did you know that fortune cookies weren't even started in China? In fact, hardly anyone in China eats or serves fortune cookies. In the United States, though, 3 billion fortune cookies are produced each year. And did you know that Illinois, of all states, produces the most pumpkins every year? Or that the witch is the most popular costume choice among adults, with pirates second? Did you know that 90 percent of parents admit to sneaking candy from their children's trick-or-treat bags?

Now you do. And I do, too.

These stories are fun to write. They're easy. And they pay well.

It's easy to get down on this industry. But it's hard these days to think of any industry that's exactly thriving. An engineering friend of mine has to take 10 unpaid days off this year. Another friend of mine, who works for the city of Chicago, has to take 15 unpaid days off. A third friend works in the banking industry and is hanging onto his job for dear life.

Writing is stressful these days. But unlike most jobs, it can actually be fun at times.